Repetition by contrapuntal treatment

STRUCTURE IN MUSIC IS ACHIEVED BY REPETITION
 Repetition by contrapuntal treatment
 Motet
 Madrigal
 Fugue
Exposition Episode Subject entry Episode Subject entry Episode Subject entry

 Concerto Grosso
Ritornello I Concertino I Ritornello I Concertino I Ritornello I Concertino I Ritornello
Tutti Ripieno Small group Tutti Ripieno Small group Tutti Ripieno Small group Tutti Ripieno
Homophonic Polyphonic Homophonic Polyphonic Homophonic Polyphonic Homophonic
Tonic key__________________________Other keys_____________________________Tonic key

 French Overture
Slow section, homophonic, dotted rhythms :II Fast section, fugal :II
 Chorale Prelude

 Repetition by variation
 Basso Ostinato, or Ground Bass
Continuous variation in counterpoint over the same bass which is repeated to the end of the piece: Passacaglia, Chaconne
Continuous melodies͠͠͠͠: ~~~~~~~~~~~ ⁄⁄⁄⁄⁄⁄⁄⁄⁄⁄⁄⁄⁄⁄⁄⁄⁄⁄⁄⁄⁄⁄⁄⁄⁄⁄⁄⁄⁄⁄⁄⁄⁄⁄⁄⁄ ⁞⁞⁞⁞⁞⁞⁞⁞⁞⁞⁞⁞⁞⁞⁞⁞⁞⁞
___________ ___________ ___________ __________
Bass theme: │Bass theme│ │Bass theme││Bass theme││Bass theme│
 Theme and Variation
Sectional variation, using any sequence of compositional procedures

 Sectional repetition
 Binary
A: || B :||
 Ternary
A | ¬¬B | A |, Lied
A :|| B (Trio) :|| A :||, Minuet
 Rondo
A | B | A | C | A | D | A |, etc.
• A = Refrain, Other letters = New and different melodic material
 Free Sectional

 Repetition by development
 Sonata Allegro
Exposition Development Recapitulation
_________________ ______________ __________________
| PT bridge ST cadence:|| | Extrapolation | | PT bridge ST cadence |
I V Modulation I I

 Rondo Sonata
Exposition Development Recapitulation
____________ ____________ ____________
| A B A | | C I I A B A I

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