1.Explain the call to de-Westernise academic knowledge production of media.
Illustrate with an example (or examples) from Asia to explain why such a call is necessary.
2. What are the limits to explaining the Korean Wave based on the concept of cultural proximity? What concept(s) should enhance or replace it?
3. What are the pros and cons of implementing a British-style ‘Creative
Industries’ policy within countries in Asia? Is this an appropriate way to nurture and sustain creativity there?
Answer two out of three of the question above, 500 words for each 🙂
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